Showing posts with label Texas. Show all posts
Showing posts with label Texas. Show all posts

Saturday, 2 November 2013

Great British Programme Museums

The British Government has decided to gamble the nation's future tourist income on promoting museums based on popular TV programmes that have gone down well abroad (well America at least). Less wealthy tourists have no place liking British popular culture and therefore are ignored. But are the museums any good? The Museum of Unreason casts a critical eye over them.

1. Top Gear Museum - popular everywhere except France (something in itself worthy of celebration)

The museum was built 10 years ago, even so it has seen very little change and the displays themselves remain minimal. It is open regularly with events liberally spaced throughout the year, but what do you actually get? Patrons are faced with prospect of standing around in an empty warehouse being abused by some badly dressed costumed interpreters. You have to question their volunteer recruitment policy as the museum seems to be exclusively populated by xenophobic middle aged men. Of the few cars on show visitors are only allowed to touch the reasonably priced one. The do it yourself car making events are original and inventive but lack the important ingredient of audience participation.

In the end it is a museum that manages to proclaim British ingenuity and superiority whilst demonstrating the exact opposite and in the process offending everyone. A difficult achievement that we can all learn from.

I leave the final words to Jeremy Clarkson himself, "It was rubbish when it was new, it was built by idiots, and it's rubbish now...you avoid it like you would avoid unprotected sex with an Ethiopian transvestite." 

 1 star

2. Dr. Who Museum - the longest running (i.e. interminable) science fiction show in the Universe

This museum has been going for 50 years, although it is often forgotten that it actually closed down for over 10 years before a HLF grant greatly improved the graphics and displays to bring it back to life. As a result it is now and more popular than ever, but what is the visitor experience like? Well, inside it is much larger than you would expect. In fact, according to the other-worldly manager of the museum, "It's vast complicated and ridiculous." That is no exaggeration; there is so much to see, but the major drawback is that there is no logic to the visitor route - the chronology is all over the place. And what is it with the museum guides? They have a disconcerting tendency to change (sometimes in mid sentence) into completely different characters - confusing.

If you are intent on visiting, what is the best advice? "Don't blink. Don't even blink. Blink and you're dead. Don't turn your back. Don't look away. And don't blink.” Not recommended for narcoleptics.

3 stars


3. Downton Abbey Museum - more tea vicar?

A recent museum, it just seems like its been around for a hundred years. Following the National Trust country house heritage template (5 million members can't be wrong - well they can but that is a matter for another blog) with an interpretive strategy of '..the clock stopped'. Cynics suggest that they have just forgotten that clocks need winding up occasionally. 

Visitors get the traditional room settings and a complete set of servants quarters (National Trust take note). The downside is that the servants quarters are actually fake and 60 miles away in London. I therefore recommend you buy the 1 day pass.

Simon Schama described the museum as 'cultural necrophilia' - wrong! I can recommend many other museums (try Guanajuato's El Museo De Las Momias for example) offering better examples of that for dear Simon. It is not cultural necrophilia as it is something very much alive, breathing quietly in a corner and offering restraint, dignity and manners. This museum offers a comfortable certainty (allowing for the odd liner sinking and World War) in a world of uncomfortable uncertainty. Is it cultural? It is certainly cultured; perhaps it's culturally uncultured culture; and therein lies its appeal - a pretty pretentious soap opera augmented by the auratic gaze of nostalgic traditionalism. Perfect.

This museum is unsinkable - so what is its future? The noble Lord Grantham himself said, "..every ship is unsinkable until it sinks."

5 stars

4. Sherlock Museum - the footprints of a gigantic ....museum?

A modern redevelopment of an old museum set at the same location in West London. The downside is that it is only open for 3 days a year for an hour and a half. This means, inevitably, that you have to queue. It uses the traditional room setting in the Downton Abbey manner but much much smaller and only comfortable for a handful of people at a time. The real problem is the simplistic interpretation which just leaves clues forcing the visitor to try and work it out themselves - baffling. At least Sudoku fans should enjoy it. The occasional violin music give me a headache fortunately the museum cafe sells opium laced cream teas to ease the pain.

Given that the museum states ,"True deduction can only be obtained through a certain amount of self annihilation" I came away suitably diminished, certain in the knowledge that if I opened my mouth I would, "lower the IQ of the whole street". Entertaining? Yes. Confusing? Possibly. Interpretive style? Elementary.

3 stars

5. The Office Museum - the second best museum in Slough 

A slice of industrial heritage, celebrating the great British paper industry. Sadly it hasn't been updated in over 10 years. However, the museum itself successfully explores the 'back office' function through its social and professional relationships. Less glamorous than our country house heritage but nonetheless just as important. It gives an excellent insight into the collapse of British manufacturing base through egoistic incompetence (n.b. all politicians should visit). As Gareth points out;

"I did learn a lot from David. I learnt from his mistakes. We're very different people; he used humour where I use discipline. And I learnt that nobody respects him. And in a war situation, if you want your platoon to go over the top with you to certain death, it's no good saying to them "Please come with me lads, I'll tell you a joke." It's a direct order "Come with me." And they'll go "Yes, he's got good leadership skills, let's all go with him to our certain death". 

Wise words we can all benefit from.

If a museum's strength is that it enables us to learn from the past, in the hope that we can apply the lessons to the future, then The Office Museum is ideal learning material because it didn't last long before closing down, transferring to America to gain long-running success.

For the British economic delusion in a nutshell I leave the last words to David Brent, " I'm sure Texas couldn't run and manage a successful paper merchants." 

4 stars

Saturday, 24 August 2013

Life is ...a car parking space


Take a look at this picture of a car parking space. It could be anywhere in the world (well, not really anywhere - connoisseurs will instantly recognise the soft yellow lines, and the cracked, sun baked concrete bitmac mixture as Texas U.S.A. - probably south near the Gulf of Mexico).  You wouldn't take a second glance at it, unless you were in a car and looking for a somewhere to park. And there is my point. I would argue that the most common form of pleasure and relief we experience in our car based society today is the discovery of a free car parking space. Next time you pull onto your drive, into your garage, or finding some on street parking near your house - think of that pleasure. It means home, it means a safe haven - most memories will feature that space however unconsciously.

Next time you go shopping, go to work, or to a museum (as I do on a daily basis) just reflect on that small skip of the heartbeat when that magical space between two vehicles comes into view. On this crowded island of Britain that could be translated into unconfined joy and tears of relief (I particularly recall one such moving experience when Christmas shopping a few years ago).

Let me take that thought a step further and use this particular car parking space to illustrate the depth of importance of the car parking space in our lives.

The car parking space enables society to function, it enables life to happen - it is by proxy the arbiter of your mood, the barometer against which you measure whether you have had a good day, the enabler of activity (or frustrater). It is the lungs of enterprise, the heart of capitalism, the place of that first kiss, the conception of the first child (or fourth child in Ron Howard's case) and in the case above a crucial step in dental hygiene.

This picture was sent to me with this quote attached,

"This car parking space sits outside of my dentist's office. Without a car parking space, I wouldn't have been able to park my car. If I didn't park my car, then I wouldn't have gone into my dentist's office for my appointment. If I didn't go to my appointment, then I wouldn't have gotten my teeth cleaned. So ultimately... this car parking space is like my second dentist."

There you have it in a nutshell. Car parking space as tooth brush. Car parking space as health clinician.

Salvador Dali never said far better than I.

"Progressive art [and car parking spaces] can assist people to learn not only about the objective forces at work in the society in which they live, but also about the intensely social character of their interior lives. Ultimately, it can propel people toward social emancipation." (I added the bit in brackets - Dali would have said it but I feel he lacked the imagination).


Artists are always arguing that life is art (Tracey Emin's 'My Bed' in 1999 anyone?) then car parking spaces are art, maybe brutal, angular vorticist art - but art nonetheless.

There it is - the car parking space rules our lives, they ARE our lives and therefore let's celebrate them as ART, as DENTISTS, as MUSEUM pieces worthy of our respect. Next time you conveniently park - shed a small tear of sorrow at the neglect at these wondrous rectangular boxes.